Sep 072012
 

Back­splashes in the kitchen move away from just being prac­ti­cal in its application.

Back­splashes no longer just have to help hide or keep those splashes off the walls — it’s also a great way to cre­ate unique visual inter­est.  Here is what Aus­tralian design firm Doherty & Lynch did with the very unique back­splashes in these kitchens.

BIG visual impact and a great design idea.

Backsplashes

Here they painted the kitchen wall with a blue ombre style stripe on the wall and then installed float­ing shelves.

Black and white graphic wall­pa­per is applied to the wall and then cov­ered with either clear plexi or glass.

Source: cococozy.com

Pais­ley wall­pa­per cre­ate a beau­ti­ful con­trast against the white and the wood

 

 

Jun 112012
 

There’s so much more to paint than just colour.

Paint

Tex­ture plays an equally impor­tant role and can inject an air of move­ment and dimen­sion into a room. Paint com­pa­nies con­tinue to add to their reper­toire, keep­ing paint effects fresh, lively and rel­e­vant to our sur­round­ings. Thanks to the sci­ence of paint tech­nol­ogy, just about any fin­ish you can think of has its paint equiv­a­lent. Think of craggy cliffs and there’s a stone paint to re-create the look. If relax­ing in a French-style villa is more your style, lime­wash will do the trick. Han­ker­ing for the aged pati­nas of weather-worn cop­per and rusted iron? There’s a prod­uct to suit …

Suede
The warm, flat fin­ish of suede paint adds a sub­tle, ele­gant mood to inte­ri­ors. It works well when used in an entire room, and can cosy up spaces such as bed­rooms and lounge areas. The creamy tex­ture cre­ates a look sim­i­lar to suede leather, and the restrained glam­our of this paint is enhanced by soft light­ing. As it is porous, it needs to be sealed if used in a kitchen or bathroom.

Lime­wash
Lime­wash adds a French provin­cial feel when applied to raw wooden fur­ni­ture or pieces that have been stripped of wax and paint. It gives a vel­vety fin­ish yet isn’t as chalky as milk paint. So called because of its lime base, lime­wash works well on exte­rior sur­faces that are porous as it allows the under­ly­ing sur­face to breathe. It’s a centuries-old fin­ish that brings to mind Ital­ian, Span­ish and Mex­i­can houses.

Cement
Cement paint gives a rus­tic, matt fin­ish that is best left for out­doors. Sold in pow­der form, it is mixed with water before being brushed onto porous sur­faces like unglazed brick, con­crete, plas­ter­board, Besser brick and masonry. How­ever, it’s not suit­able for tim­ber or metal sur­faces. Cement paint is durable – if well applied, it can last around 20 years.

Milk
This ancient paint effect results in a chalky, matt fin­ish and is best used on wood. Usu­ally made from milk pro­tein, lime and pig­ments, and sold as pow­der, it is mixed with water for appli­ca­tion. Milk paint is long-lasting and durable, but as it is flat and coarse, it marks eas­ily. So for pieces that will be han­dled fre­quently, the key is to either wax or seal them. Milk paint’s vis­cos­ity can be con­trolled by adjust­ing the amount of water added.

Metal­lic
Paints with a metal­lic effect are light-reflective, so will help bounce light around a room. Most metallics are a satin paint and many con­tain real metal­lic par­ti­cles. The best way to apply metal­lic paint is using a roller – brush­strokes will not only be vis­i­ble, but obvi­ous. If you’re after a luxe look in a bed­room, a metal­lic fea­ture wall may suit.

Stone
Due to the addi­tion of actual sand or fine par­ti­cles, stone paints can range from the look of worn, smooth stone to the more com­mon rough, grainy fin­ishes. While stone paint can be used for inte­ri­ors, be wary of using it in areas that your skin may brush up against – it can have the tex­ture of an emery board. Used out­side, stone paints add dimen­sion to oth­er­wise flat sur­faces like plasterboard.

Pearl
Pearl fin­ishes offer a soft lus­tre as they absorb yet reflect light. A lit­tle goes a long way when it comes to impact, so use as a high­light, such as a fea­ture wall, rather than on every wall of a room. A bed­head fin­ished in pearl paint would add a sub­tle shim­mer to a room, as would coat­ing photo, mir­ror or pic­ture frames, a tim­ber chair or cup­board doors.

http://www.homelife.com.au/

 

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Aug 272011
 

One step closer to putting all of our ideas together…

Mod­ern Flo­ral Tree Huge Fine Art Print

Meaghan & I have been look­ing for a unique piece of art that will com­pli­ment the stone fire­place in the Keep­ing room.  It has proven chal­leng­ing as the fire­place dom­i­nates the only wall avail­able to dis­play art and is a state­ment in itself.

Our endeav­ours have paid off and we’ve found a stun­ning col­lec­tion of art on Etsy.com  The pieces are part of a col­lec­tion of con­tem­po­rary fine art by Susanna Shap of Mod­ern­House­Art.

All of Susanna’s orig­i­nal sig­na­ture style con­tem­po­rary art­work is cre­ated with a palette knife on gallery back wrapped stretched canvas. Her tex­tured impasto flow­ers, land­scapes, metal­lic and abstract paint­ings are col­lected Internationally.  You can also order museum grade fine art unframed prints from the orig­i­nal palette knife impasto oil paint­ings.

ORIGINAL Abstract Land­scape Oil Paint­ing White Cherry Blos­som Tree

Ps. we’ve decided that the stone wall of the fire­place will be a nice off­set for the Pea­cock.

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