Jun 112012
 

There’s so much more to paint than just colour.

Paint

Tex­ture plays an equally impor­tant role and can inject an air of move­ment and dimen­sion into a room. Paint com­pa­nies con­tinue to add to their reper­toire, keep­ing paint effects fresh, lively and rel­e­vant to our sur­round­ings. Thanks to the sci­ence of paint tech­nol­ogy, just about any fin­ish you can think of has its paint equiv­a­lent. Think of craggy cliffs and there’s a stone paint to re-create the look. If relax­ing in a French-style villa is more your style, lime­wash will do the trick. Han­ker­ing for the aged pati­nas of weather-worn cop­per and rusted iron? There’s a prod­uct to suit …

Suede
The warm, flat fin­ish of suede paint adds a sub­tle, ele­gant mood to inte­ri­ors. It works well when used in an entire room, and can cosy up spaces such as bed­rooms and lounge areas. The creamy tex­ture cre­ates a look sim­i­lar to suede leather, and the restrained glam­our of this paint is enhanced by soft light­ing. As it is porous, it needs to be sealed if used in a kitchen or bathroom.

Lime­wash
Lime­wash adds a French provin­cial feel when applied to raw wooden fur­ni­ture or pieces that have been stripped of wax and paint. It gives a vel­vety fin­ish yet isn’t as chalky as milk paint. So called because of its lime base, lime­wash works well on exte­rior sur­faces that are porous as it allows the under­ly­ing sur­face to breathe. It’s a centuries-old fin­ish that brings to mind Ital­ian, Span­ish and Mex­i­can houses.

Cement
Cement paint gives a rus­tic, matt fin­ish that is best left for out­doors. Sold in pow­der form, it is mixed with water before being brushed onto porous sur­faces like unglazed brick, con­crete, plas­ter­board, Besser brick and masonry. How­ever, it’s not suit­able for tim­ber or metal sur­faces. Cement paint is durable – if well applied, it can last around 20 years.

Milk
This ancient paint effect results in a chalky, matt fin­ish and is best used on wood. Usu­ally made from milk pro­tein, lime and pig­ments, and sold as pow­der, it is mixed with water for appli­ca­tion. Milk paint is long-lasting and durable, but as it is flat and coarse, it marks eas­ily. So for pieces that will be han­dled fre­quently, the key is to either wax or seal them. Milk paint’s vis­cos­ity can be con­trolled by adjust­ing the amount of water added.

Metal­lic
Paints with a metal­lic effect are light-reflective, so will help bounce light around a room. Most metallics are a satin paint and many con­tain real metal­lic par­ti­cles. The best way to apply metal­lic paint is using a roller – brush­strokes will not only be vis­i­ble, but obvi­ous. If you’re after a luxe look in a bed­room, a metal­lic fea­ture wall may suit.

Stone
Due to the addi­tion of actual sand or fine par­ti­cles, stone paints can range from the look of worn, smooth stone to the more com­mon rough, grainy fin­ishes. While stone paint can be used for inte­ri­ors, be wary of using it in areas that your skin may brush up against – it can have the tex­ture of an emery board. Used out­side, stone paints add dimen­sion to oth­er­wise flat sur­faces like plasterboard.

Pearl
Pearl fin­ishes offer a soft lus­tre as they absorb yet reflect light. A lit­tle goes a long way when it comes to impact, so use as a high­light, such as a fea­ture wall, rather than on every wall of a room. A bed­head fin­ished in pearl paint would add a sub­tle shim­mer to a room, as would coat­ing photo, mir­ror or pic­ture frames, a tim­ber chair or cup­board doors.

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